One of the reasons “The Matrix” made such an impact in 1999, beyond Keanu Reeves dodging bullets and Carrie-Anne Moss freezing in midair, was the intoxicating musical score by Don Davis. Mixing a ...
The motif? The red and blue pills, proffered by Morpheus (Laurence Fishburne) in the first movie as a “last chance before everything changes” option for Neo. The song? “White Rabbit” by Jefferson ...
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